https://www.8beauty.com/wiki/index.php?action=history&feed=atom&title=The_Ghoulish_Containers 2026-04-05T20:41:28Z 本wiki的该页面的版本历史 MediaWiki 1.26.4 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=101734&oldid=prev 2013-07-28T00:37:02Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年7月28日 (日) 00:37的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">pain</del>? Designs <del class="diffchange diffchange-inline">flex</del>, <del class="diffchange diffchange-inline">together with </del>the windGates <del class="diffchange diffchange-inline">lie </del>still: hide around cornersAnd <del class="diffchange diffchange-inline">nasty </del>creatures, <del class="diffchange diffchange-inline">odor</del>, dead, they <del class="diffchange diffchange-inline">lay </del>unseen.Here, <del class="diffchange diffchange-inline">looks </del>of doom--fill anonymous rooms,Where <del class="diffchange diffchange-inline">mystical </del>manuscripts--:Dare, to <del class="diffchange diffchange-inline">inform </del>the dead--what lies ahead.There amid many, strange <del class="diffchange diffchange-inline">things </del>I found:Raving of madmen--curses and clowns--Black books, stones, figures and frowns.Along <del class="diffchange diffchange-inline">part </del>its course, crawls, only shadows--In ominous shapes: <del class="diffchange diffchange-inline">never </del>to be determined,In these <del class="diffchange diffchange-inline">solitude </del>vaults, down, <del class="diffchange diffchange-inline">approach </del>down....Haunted by monstrous nightmaresOne lives by these monolith unbridled spiritsDrossy, <del class="diffchange diffchange-inline">wistful</del>, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <del class="diffchange diffchange-inline">published </del>a book recently, or <del class="diffchange diffchange-inline">a </del>year <del class="diffchange diffchange-inline">ago </del>or therefore, named 'The Macabre Poems,' it absolutely was his 27th book [now he has 31, which his new book being released, 'Peruvian Poems,' next month]; and his 4th book in <del class="diffchange diffchange-inline">poetry</del>. And his <del class="diffchange diffchange-inline">biggest guide </del>in this variety. Matter-of-fact, he followed the <del class="diffchange diffchange-inline">path </del>of such poets--in <del class="diffchange diffchange-inline">developing </del>this book--such poets as: Clark A. Johnson, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">popular</del>, George Sterling; in <del class="diffchange diffchange-inline">doing </del>this he <del class="diffchange diffchange-inline">concentrated </del>on the more <del class="diffchange diffchange-inline">further array </del>of adjectives for <del class="diffchange diffchange-inline">description</del>, as he calls it; and made a <del class="diffchange diffchange-inline">declaration </del>on the book, and in public places when the book <del class="diffchange diffchange-inline">came out</del>, saying: 'If you want to know who you <del class="diffchange diffchange-inline">are working </del>with, you <del class="diffchange diffchange-inline">surely </del>got to <del class="diffchange diffchange-inline">take </del>a muster-seed of <del class="diffchange diffchange-inline">faith </del>with you to the sets of hell; playing it safe <del class="diffchange diffchange-inline">will not </del>get you home.' <del class="diffchange diffchange-inline">Poetry</del>, as Dennis says: <del class="diffchange diffchange-inline">could </del>be many <del class="diffchange diffchange-inline">things </del>to many people, and <del class="diffchange diffchange-inline">denying </del>the invisible world <del class="diffchange diffchange-inline">isn't </del>the <del class="diffchange diffchange-inline">best </del>way to truth and <del class="diffchange diffchange-inline">reality</del>. <del class="diffchange diffchange-inline">Ergo</del>, this <del class="diffchange diffchange-inline">is </del>a <del class="diffchange diffchange-inline">poem </del>that never <del class="diffchange diffchange-inline">made it </del>into his book <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Newport safe opening Newport]</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">problem</ins>? Designs <ins class="diffchange diffchange-inline">bend</ins>, <ins class="diffchange diffchange-inline">using </ins>the windGates <ins class="diffchange diffchange-inline">rest </ins>still: hide around cornersAnd <ins class="diffchange diffchange-inline">bad </ins>creatures, <ins class="diffchange diffchange-inline">smell</ins>, dead, they <ins class="diffchange diffchange-inline">put </ins>unseen.Here, <ins class="diffchange diffchange-inline">sounds </ins>of doom--fill anonymous rooms,Where <ins class="diffchange diffchange-inline">mysterious </ins>manuscripts--:Dare, to <ins class="diffchange diffchange-inline">tell </ins>the dead--what lies ahead.There amid many, strange <ins class="diffchange diffchange-inline">items </ins>I found:Raving of madmen--curses and clowns--Black books, stones, figures and frowns.Along <ins class="diffchange diffchange-inline">side </ins>its course, crawls, only shadows--In ominous shapes: to <ins class="diffchange diffchange-inline">not </ins>be determined,In these <ins class="diffchange diffchange-inline">isolation </ins>vaults, down, <ins class="diffchange diffchange-inline">way </ins>down....Haunted by monstrous nightmaresOne lives by these monolith unbridled spiritsDrossy, <ins class="diffchange diffchange-inline">wonderful</ins>, I say permanently, screaming!. <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Bristol safe engineer Bristol]</ins>..Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <ins class="diffchange diffchange-inline">wrote </ins>a book recently, or <ins class="diffchange diffchange-inline">last </ins>year or therefore, named 'The Macabre Poems,' it absolutely was his 27th book [now he has 31, which his new book being released, 'Peruvian Poems,' next month]; and his 4th book in <ins class="diffchange diffchange-inline">composition</ins>. And his <ins class="diffchange diffchange-inline">deepest book </ins>in this variety. Matter-of-fact, he followed the <ins class="diffchange diffchange-inline">trail </ins>of such poets--in <ins class="diffchange diffchange-inline">creating </ins>this book--such poets as: Clark A. Johnson, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">favored</ins>, George Sterling; in this he <ins class="diffchange diffchange-inline">centered </ins>on the more <ins class="diffchange diffchange-inline">greater collection </ins>of adjectives for <ins class="diffchange diffchange-inline">explanation</ins>, as he calls it; and made a <ins class="diffchange diffchange-inline">statement </ins>on the book, and in public places when the book <ins class="diffchange diffchange-inline">arrived</ins>, saying: 'If you want to know who you<ins class="diffchange diffchange-inline">'re dealing </ins>with, you got to <ins class="diffchange diffchange-inline">have </ins>a muster-seed of <ins class="diffchange diffchange-inline">religion </ins>with you to the sets of hell; playing it safe <ins class="diffchange diffchange-inline">won't </ins>get you home.' <ins class="diffchange diffchange-inline">Composition</ins>, as Dennis says: <ins class="diffchange diffchange-inline">may </ins>be many <ins class="diffchange diffchange-inline">points </ins>to many people, and <ins class="diffchange diffchange-inline">questioning </ins>the invisible world <ins class="diffchange diffchange-inline">is not </ins>the way to truth and <ins class="diffchange diffchange-inline">fact</ins>. <ins class="diffchange diffchange-inline">Therefore</ins>, this <ins class="diffchange diffchange-inline">can be </ins>a <ins class="diffchange diffchange-inline">poetry </ins>that never <ins class="diffchange diffchange-inline">managed to get </ins>into his book.</div></td></tr> </table>

AdalieConant1252 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=100273&oldid=prev 2013-07-23T01:51:08Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年7月23日 (二) 01:51的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">nightmare</del>? <del class="diffchange diffchange-inline">Styles fold</del>, together with the windGates lie still: <del class="diffchange diffchange-inline">reside </del>around cornersAnd <del class="diffchange diffchange-inline">foul beings</del>, <del class="diffchange diffchange-inline">smell</del>, dead, they lay unseen.Here, <del class="diffchange diffchange-inline">sounds </del>of doom--fill <del class="diffchange diffchange-inline">nameless </del>rooms,Where <del class="diffchange diffchange-inline">strange </del>manuscripts--:Dare, to inform the dead--what lies ahead.There amid many, strange <del class="diffchange diffchange-inline">items </del>I found:Raving of madmen--curses and clowns--Black <del class="diffchange diffchange-inline">publications</del>, stones, <del class="diffchange diffchange-inline">legends </del>and frowns.Along part its <del class="diffchange diffchange-inline">way</del>, crawls, only shadows--In <del class="diffchange diffchange-inline">threatening </del>shapes: <del class="diffchange diffchange-inline">not </del>to be determined,In these solitude vaults, down, approach down....Haunted by monstrous nightmaresOne lives by these monolith unbridled spiritsDrossy, wistful, I say <del class="diffchange diffchange-inline">forever</del>, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a book recently, or <del class="diffchange diffchange-inline">this past </del>year or therefore, named 'The Macabre Poems,' it absolutely was his 27th book [now he has 31, which his new book being released, 'Peruvian Poems,' next month]; and his 4th book in <del class="diffchange diffchange-inline">composition</del>. And his <del class="diffchange diffchange-inline">greatest book </del>in this <del class="diffchange diffchange-inline">genre</del>. Matter-of-fact, he followed the <del class="diffchange diffchange-inline">road </del>of such poets--in <del class="diffchange diffchange-inline">creating </del>this book--such poets as: Clark A. Johnson, Lovecraft, Robert Howard, and of course his popular, George Sterling; in doing this he concentrated on the more further <del class="diffchange diffchange-inline">variety </del>of adjectives for <del class="diffchange diffchange-inline">explanation</del>, as he calls it; and made a <del class="diffchange diffchange-inline">statement </del>on the book, and in public places when the book came out, saying: 'If you <del class="diffchange diffchange-inline">need </del>to know who you<del class="diffchange diffchange-inline">'re dealing </del>with, you surely got to take a muster-seed of <del class="diffchange diffchange-inline">religion </del>with you to the <del class="diffchange diffchange-inline">pits </del>of hell; playing it safe <del class="diffchange diffchange-inline">won't </del>get you home.' <del class="diffchange diffchange-inline">Composition</del>, as Dennis says: could be many things to many people, and <del class="diffchange diffchange-inline">questioning </del>the invisible world <del class="diffchange diffchange-inline">is not </del>the best way to truth and <del class="diffchange diffchange-inline">truth</del>. <del class="diffchange diffchange-inline">Therefore</del>, this <del class="diffchange diffchange-inline">can be </del>a <del class="diffchange diffchange-inline">poetry </del>that never made it into his book [http://safe-cracker.com/safe-vault-engineers-Newport safe opening Newport].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">pain</ins>? <ins class="diffchange diffchange-inline">Designs flex</ins>, together with the windGates lie still: <ins class="diffchange diffchange-inline">hide </ins>around cornersAnd <ins class="diffchange diffchange-inline">nasty creatures</ins>, <ins class="diffchange diffchange-inline">odor</ins>, dead, they lay unseen.Here, <ins class="diffchange diffchange-inline">looks </ins>of doom--fill <ins class="diffchange diffchange-inline">anonymous </ins>rooms,Where <ins class="diffchange diffchange-inline">mystical </ins>manuscripts--:Dare, to inform the dead--what lies ahead.There amid many, strange <ins class="diffchange diffchange-inline">things </ins>I found:Raving of madmen--curses and clowns--Black <ins class="diffchange diffchange-inline">books</ins>, stones, <ins class="diffchange diffchange-inline">figures </ins>and frowns.Along part its <ins class="diffchange diffchange-inline">course</ins>, crawls, only shadows--In <ins class="diffchange diffchange-inline">ominous </ins>shapes: <ins class="diffchange diffchange-inline">never </ins>to be determined,In these solitude vaults, down, approach down....Haunted by monstrous nightmaresOne lives by these monolith unbridled spiritsDrossy, wistful, I say <ins class="diffchange diffchange-inline">permanently</ins>, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a book recently, or <ins class="diffchange diffchange-inline">a </ins>year <ins class="diffchange diffchange-inline">ago </ins>or therefore, named 'The Macabre Poems,' it absolutely was his 27th book [now he has 31, which his new book being released, 'Peruvian Poems,' next month]; and his 4th book in <ins class="diffchange diffchange-inline">poetry</ins>. And his <ins class="diffchange diffchange-inline">biggest guide </ins>in this <ins class="diffchange diffchange-inline">variety</ins>. Matter-of-fact, he followed the <ins class="diffchange diffchange-inline">path </ins>of such poets--in <ins class="diffchange diffchange-inline">developing </ins>this book--such poets as: Clark A. Johnson, Lovecraft, Robert Howard, and of course his popular, George Sterling; in doing this he concentrated on the more further <ins class="diffchange diffchange-inline">array </ins>of adjectives for <ins class="diffchange diffchange-inline">description</ins>, as he calls it; and made a <ins class="diffchange diffchange-inline">declaration </ins>on the book, and in public places when the book came out, saying: 'If you <ins class="diffchange diffchange-inline">want </ins>to know who you <ins class="diffchange diffchange-inline">are working </ins>with, you surely got to take a muster-seed of <ins class="diffchange diffchange-inline">faith </ins>with you to the <ins class="diffchange diffchange-inline">sets </ins>of hell; playing it safe <ins class="diffchange diffchange-inline">will not </ins>get you home.' <ins class="diffchange diffchange-inline">Poetry</ins>, as Dennis says: could be many things to many people, and <ins class="diffchange diffchange-inline">denying </ins>the invisible world <ins class="diffchange diffchange-inline">isn't </ins>the best way to truth and <ins class="diffchange diffchange-inline">reality</ins>. <ins class="diffchange diffchange-inline">Ergo</ins>, this <ins class="diffchange diffchange-inline">is </ins>a <ins class="diffchange diffchange-inline">poem </ins>that never made it into his book [http://safe-cracker.com/safe-vault-engineers-Newport safe opening Newport].</div></td></tr> <!-- diff cache key 8bwiki:diff:version:1.11a:oldid:98965:newid:100273 --> </table>

StanleyDiefendorf3346 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=98965&oldid=prev 2013-07-18T00:39:39Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年7月18日 (四) 00:39的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">pain</del>? <del class="diffchange diffchange-inline">Patterns flex</del>, together with the windGates <del class="diffchange diffchange-inline">rest </del>still: <del class="diffchange diffchange-inline">hide </del>around cornersAnd <del class="diffchange diffchange-inline">horrible </del>beings, <del class="diffchange diffchange-inline">odor</del>, dead, they lay unseen.Here, sounds of doom--fill <del class="diffchange diffchange-inline">mysterious </del>rooms,Where <del class="diffchange diffchange-inline">mystical </del>manuscripts--:Dare, to inform the dead--what lies ahead.There amid many, strange items I found:Raving of madmen--curses and clowns--Black <del class="diffchange diffchange-inline">books</del>, stones, <del class="diffchange diffchange-inline">stories </del>and frowns.Along <del class="diffchange diffchange-inline">area </del>its <del class="diffchange diffchange-inline">course</del>, crawls, only shadows--In threatening shapes: <del class="diffchange diffchange-inline">to </del>not be determined,In these <del class="diffchange diffchange-inline">isolation </del>vaults, down, approach down....Haunted by <del class="diffchange diffchange-inline">gigantic </del>nightmaresOne lives by these monolith unbridled spiritsDrossy, wistful, I say forever, screaming! <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Swansea safe engineer Swansea]</del>...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a book recently, or <del class="diffchange diffchange-inline">last </del>year or <del class="diffchange diffchange-inline">so</del>, named 'The Macabre Poems,' it absolutely was his 27th book [now he<del class="diffchange diffchange-inline">'s </del>31, which his new book <del class="diffchange diffchange-inline">developing</del>, 'Peruvian Poems,' next month]; and his 4th book in composition. And his <del class="diffchange diffchange-inline">biggest </del>book in this <del class="diffchange diffchange-inline">style</del>. Matter-of-fact, he followed the <del class="diffchange diffchange-inline">trail </del>of such poets--in <del class="diffchange diffchange-inline">developing </del>this book--such poets as: Clark A. <del class="diffchange diffchange-inline">Jones</del>, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">preferred</del>, George Sterling; in this he <del class="diffchange diffchange-inline">centered </del>on the more <del class="diffchange diffchange-inline">deeper selection </del>of adjectives for explanation, as he calls it; and made a <del class="diffchange diffchange-inline">record </del>on the book, and in public places when the book <del class="diffchange diffchange-inline">arrived</del>, saying: 'If you <del class="diffchange diffchange-inline">want </del>to know who you <del class="diffchange diffchange-inline">are working </del>with, you got to take a muster-seed of <del class="diffchange diffchange-inline">faith </del>with you to the pits of hell; playing it safe won't get you home.' Composition, as Dennis says: <del class="diffchange diffchange-inline">can </del>be many things to many people, and questioning the invisible world <del class="diffchange diffchange-inline">isn't </del>the best way to truth and <del class="diffchange diffchange-inline">reality</del>. Therefore, this <del class="diffchange diffchange-inline">is </del>a <del class="diffchange diffchange-inline">poem </del>that never <del class="diffchange diffchange-inline">managed to get </del>into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">nightmare</ins>? <ins class="diffchange diffchange-inline">Styles fold</ins>, together with the windGates <ins class="diffchange diffchange-inline">lie </ins>still: <ins class="diffchange diffchange-inline">reside </ins>around cornersAnd <ins class="diffchange diffchange-inline">foul </ins>beings, <ins class="diffchange diffchange-inline">smell</ins>, dead, they lay unseen.Here, sounds of doom--fill <ins class="diffchange diffchange-inline">nameless </ins>rooms,Where <ins class="diffchange diffchange-inline">strange </ins>manuscripts--:Dare, to inform the dead--what lies ahead.There amid many, strange items I found:Raving of madmen--curses and clowns--Black <ins class="diffchange diffchange-inline">publications</ins>, stones, <ins class="diffchange diffchange-inline">legends </ins>and frowns.Along <ins class="diffchange diffchange-inline">part </ins>its <ins class="diffchange diffchange-inline">way</ins>, crawls, only shadows--In threatening shapes: not <ins class="diffchange diffchange-inline">to </ins>be determined,In these <ins class="diffchange diffchange-inline">solitude </ins>vaults, down, approach down....Haunted by <ins class="diffchange diffchange-inline">monstrous </ins>nightmaresOne lives by these monolith unbridled spiritsDrossy, wistful, I say forever, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a book recently, or <ins class="diffchange diffchange-inline">this past </ins>year or <ins class="diffchange diffchange-inline">therefore</ins>, named 'The Macabre Poems,' it absolutely was his 27th book [now he <ins class="diffchange diffchange-inline">has </ins>31, which his new book <ins class="diffchange diffchange-inline">being released</ins>, 'Peruvian Poems,' next month]; and his 4th book in composition. And his <ins class="diffchange diffchange-inline">greatest </ins>book in this <ins class="diffchange diffchange-inline">genre</ins>. Matter-of-fact, he followed the <ins class="diffchange diffchange-inline">road </ins>of such poets--in <ins class="diffchange diffchange-inline">creating </ins>this book--such poets as: Clark A. <ins class="diffchange diffchange-inline">Johnson</ins>, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">popular</ins>, George Sterling; in <ins class="diffchange diffchange-inline">doing </ins>this he <ins class="diffchange diffchange-inline">concentrated </ins>on the more <ins class="diffchange diffchange-inline">further variety </ins>of adjectives for explanation, as he calls it; and made a <ins class="diffchange diffchange-inline">statement </ins>on the book, and in public places when the book <ins class="diffchange diffchange-inline">came out</ins>, saying: 'If you <ins class="diffchange diffchange-inline">need </ins>to know who you<ins class="diffchange diffchange-inline">'re dealing </ins>with, you <ins class="diffchange diffchange-inline">surely </ins>got to take a muster-seed of <ins class="diffchange diffchange-inline">religion </ins>with you to the pits of hell; playing it safe won't get you home.' Composition, as Dennis says: <ins class="diffchange diffchange-inline">could </ins>be many things to many people, and questioning the invisible world <ins class="diffchange diffchange-inline">is not </ins>the best way to truth and <ins class="diffchange diffchange-inline">truth</ins>. Therefore, this <ins class="diffchange diffchange-inline">can be </ins>a <ins class="diffchange diffchange-inline">poetry </ins>that never <ins class="diffchange diffchange-inline">made it </ins>into his book <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Newport safe opening Newport]</ins>.</div></td></tr> <!-- diff cache key 8bwiki:diff:version:1.11a:oldid:94573:newid:98965 --> </table>

CollbyAntoinette72 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=94573&oldid=prev 2013-07-04T21:10:53Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年7月4日 (四) 21:10的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">nightmare</del>? <del class="diffchange diffchange-inline">Designs fold</del>, <del class="diffchange diffchange-inline">using </del>the windGates rest still: <del class="diffchange diffchange-inline">lurk </del>around cornersAnd <del class="diffchange diffchange-inline">bad </del>beings, <del class="diffchange diffchange-inline">smell</del>, dead, they <del class="diffchange diffchange-inline">put </del>unseen.Here, sounds of doom--fill <del class="diffchange diffchange-inline">nameless </del>rooms,Where <del class="diffchange diffchange-inline">strange </del>manuscripts--:Dare, to inform the dead--what lies ahead.There amid many, <del class="diffchange diffchange-inline">odd things </del>I found:Raving of madmen--curses and clowns--Black <del class="diffchange diffchange-inline">publications</del>, <del class="diffchange diffchange-inline">rocks</del>, <del class="diffchange diffchange-inline">figures </del>and frowns <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Port Talbot safe opening Port Talbot]</del>.Along <del class="diffchange diffchange-inline">side </del>its course, crawls, only shadows--In threatening shapes: <del class="diffchange diffchange-inline">never </del>to be determined,In these <del class="diffchange diffchange-inline">solitude </del>vaults, down, <del class="diffchange diffchange-inline">way </del>down....Haunted by <del class="diffchange diffchange-inline">huge </del>nightmaresOne lives by these monolith <del class="diffchange diffchange-inline">un-bridled </del>spiritsDrossy, <del class="diffchange diffchange-inline">dreamy</del>, I say forever, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <del class="diffchange diffchange-inline">wrote </del>a book recently, or <del class="diffchange diffchange-inline">a </del>year <del class="diffchange diffchange-inline">ago </del>or <del class="diffchange diffchange-inline">therefore</del>, named 'The Macabre Poems,' it absolutely was his 27th book [now he's 31, which his new book developing, 'Peruvian Poems,' next month]; and his 4th book in <del class="diffchange diffchange-inline">poetry</del>. And his <del class="diffchange diffchange-inline">deepest guide </del>in this <del class="diffchange diffchange-inline">variety</del>. Matter-of-fact, he followed the trail of such poets--in <del class="diffchange diffchange-inline">producing </del>this book--such poets as: Clark A. <del class="diffchange diffchange-inline">Smith</del>, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">desired</del>, George Sterling; in <del class="diffchange diffchange-inline">doing so </del>he centered on the more <del class="diffchange diffchange-inline">further array </del>of adjectives for explanation, as he calls it; and made a <del class="diffchange diffchange-inline">declaration </del>on the book, and in public <del class="diffchange diffchange-inline">areas </del>when the book arrived, saying: 'If you want to know who you are working with, you <del class="diffchange diffchange-inline">surely </del>got to take a muster-seed of faith with you to<del class="diffchange diffchange-inline">-</del>the <del class="diffchange diffchange-inline">sets </del>of hell; playing it safe won't get you home.' Composition, as Dennis says: <del class="diffchange diffchange-inline">may </del>be many <del class="diffchange diffchange-inline">points </del>to many people, and <del class="diffchange diffchange-inline">denying </del>the invisible world <del class="diffchange diffchange-inline">is not </del>the way to truth and <del class="diffchange diffchange-inline">truth</del>. Therefore, this is a poem that never managed to get into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">pain</ins>? <ins class="diffchange diffchange-inline">Patterns flex</ins>, <ins class="diffchange diffchange-inline">together with </ins>the windGates rest still: <ins class="diffchange diffchange-inline">hide </ins>around cornersAnd <ins class="diffchange diffchange-inline">horrible </ins>beings, <ins class="diffchange diffchange-inline">odor</ins>, dead, they <ins class="diffchange diffchange-inline">lay </ins>unseen.Here, sounds of doom--fill <ins class="diffchange diffchange-inline">mysterious </ins>rooms,Where <ins class="diffchange diffchange-inline">mystical </ins>manuscripts--:Dare, to inform the dead--what lies ahead.There amid many, <ins class="diffchange diffchange-inline">strange items </ins>I found:Raving of madmen--curses and clowns--Black <ins class="diffchange diffchange-inline">books</ins>, <ins class="diffchange diffchange-inline">stones</ins>, <ins class="diffchange diffchange-inline">stories </ins>and frowns.Along <ins class="diffchange diffchange-inline">area </ins>its course, crawls, only shadows--In threatening shapes: to <ins class="diffchange diffchange-inline">not </ins>be determined,In these <ins class="diffchange diffchange-inline">isolation </ins>vaults, down, <ins class="diffchange diffchange-inline">approach </ins>down....Haunted by <ins class="diffchange diffchange-inline">gigantic </ins>nightmaresOne lives by these monolith <ins class="diffchange diffchange-inline">unbridled </ins>spiritsDrossy, <ins class="diffchange diffchange-inline">wistful</ins>, I say forever, screaming! <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Swansea safe engineer Swansea]</ins>...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <ins class="diffchange diffchange-inline">published </ins>a book recently, or <ins class="diffchange diffchange-inline">last </ins>year or <ins class="diffchange diffchange-inline">so</ins>, named 'The Macabre Poems,' it absolutely was his 27th book [now he's 31, which his new book developing, 'Peruvian Poems,' next month]; and his 4th book in <ins class="diffchange diffchange-inline">composition</ins>. And his <ins class="diffchange diffchange-inline">biggest book </ins>in this <ins class="diffchange diffchange-inline">style</ins>. Matter-of-fact, he followed the trail of such poets--in <ins class="diffchange diffchange-inline">developing </ins>this book--such poets as: Clark A. <ins class="diffchange diffchange-inline">Jones</ins>, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">preferred</ins>, George Sterling; in <ins class="diffchange diffchange-inline">this </ins>he centered on the more <ins class="diffchange diffchange-inline">deeper selection </ins>of adjectives for explanation, as he calls it; and made a <ins class="diffchange diffchange-inline">record </ins>on the book, and in public <ins class="diffchange diffchange-inline">places </ins>when the book arrived, saying: 'If you want to know who you are working with, you got to take a muster-seed of faith with you to the <ins class="diffchange diffchange-inline">pits </ins>of hell; playing it safe won't get you home.' Composition, as Dennis says: <ins class="diffchange diffchange-inline">can </ins>be many <ins class="diffchange diffchange-inline">things </ins>to many people, and <ins class="diffchange diffchange-inline">questioning </ins>the invisible world <ins class="diffchange diffchange-inline">isn't </ins>the <ins class="diffchange diffchange-inline">best </ins>way to truth and <ins class="diffchange diffchange-inline">reality</ins>. Therefore, this is a poem that never managed to get into his book.</div></td></tr> <!-- diff cache key 8bwiki:diff:version:1.11a:oldid:92706:newid:94573 --> </table>

CalvinAlexander2884 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=92706&oldid=prev 2013-06-23T15:33:42Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年6月23日 (日) 15:33的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a nightmare? <del class="diffchange diffchange-inline">Styles </del>fold, using the windGates rest still: <del class="diffchange diffchange-inline">hide </del>around cornersAnd <del class="diffchange diffchange-inline">horrible creatures</del>, smell, dead, they put unseen.Here, <del class="diffchange diffchange-inline">looks </del>of doom--fill <del class="diffchange diffchange-inline">anonymous </del>rooms,Where <del class="diffchange diffchange-inline">mystical </del>manuscripts--:Dare, to <del class="diffchange diffchange-inline">tell </del>the dead--what lies ahead <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Bridgend safe engineer Bridgend]</del>.There amid many, <del class="diffchange diffchange-inline">strange items </del>I found:Raving of madmen--curses and clowns--Black publications, <del class="diffchange diffchange-inline">stones</del>, <del class="diffchange diffchange-inline">stories </del>and frowns.Along <del class="diffchange diffchange-inline">part </del>its course, crawls, only shadows--In threatening shapes: <del class="diffchange diffchange-inline">not </del>to be determined,In these solitude vaults, down, way down....Haunted by <del class="diffchange diffchange-inline">massive </del>nightmaresOne lives by these monolith <del class="diffchange diffchange-inline">unbridled </del>spiritsDrossy, <del class="diffchange diffchange-inline">wonderful</del>, I say forever, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <del class="diffchange diffchange-inline">published </del>a recently, or <del class="diffchange diffchange-inline">last </del>year or therefore, <del class="diffchange diffchange-inline">called </del>'The Macabre Poems,' it <del class="diffchange diffchange-inline">had been </del>his 27th book [now he's 31, which his new book <del class="diffchange diffchange-inline">being released</del>, 'Peruvian Poems,' next month]; and his 4th book in poetry. And his <del class="diffchange diffchange-inline">biggest book </del>in this <del class="diffchange diffchange-inline">genre</del>. Matter-of-fact, <del class="diffchange diffchange-inline">h-e </del>followed the <del class="diffchange diffchange-inline">path </del>of such poets--in <del class="diffchange diffchange-inline">making </del>this book--such poets as: Clark A. <del class="diffchange diffchange-inline">Johnson</del>, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">preferred</del>, George Sterling; in <del class="diffchange diffchange-inline">this </del>he <del class="diffchange diffchange-inline">concentrated </del>on the more <del class="diffchange diffchange-inline">deeper variety </del>of adjectives for <del class="diffchange diffchange-inline">information</del>, as he calls it; and made a declaration on the book, and in public <del class="diffchange diffchange-inline">places </del>when the book <del class="diffchange diffchange-inline">came out</del>, saying: 'If you want to know who you are <del class="diffchange diffchange-inline">dealing </del>with, you surely got to <del class="diffchange diffchange-inline">have </del>a muster-seed of faith with you to-the <del class="diffchange diffchange-inline">leaves </del>of hell; playing it safe won't get you home.' Composition, as Dennis says: <del class="diffchange diffchange-inline">might </del>be many <del class="diffchange diffchange-inline">things </del>to many people, and denying the invisible world is not the way to truth and truth. <del class="diffchange diffchange-inline">Hence</del>, this is a <del class="diffchange diffchange-inline">composition </del>that never <del class="diffchange diffchange-inline">made it </del>into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a nightmare? <ins class="diffchange diffchange-inline">Designs </ins>fold, using the windGates rest still: <ins class="diffchange diffchange-inline">lurk </ins>around cornersAnd <ins class="diffchange diffchange-inline">bad beings</ins>, smell, dead, they put unseen.Here, <ins class="diffchange diffchange-inline">sounds </ins>of doom--fill <ins class="diffchange diffchange-inline">nameless </ins>rooms,Where <ins class="diffchange diffchange-inline">strange </ins>manuscripts--:Dare, to <ins class="diffchange diffchange-inline">inform </ins>the dead--what lies ahead.There amid many, <ins class="diffchange diffchange-inline">odd things </ins>I found:Raving of madmen--curses and clowns--Black publications, <ins class="diffchange diffchange-inline">rocks</ins>, <ins class="diffchange diffchange-inline">figures </ins>and frowns <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Port Talbot safe opening Port Talbot]</ins>.Along <ins class="diffchange diffchange-inline">side </ins>its course, crawls, only shadows--In threatening shapes: <ins class="diffchange diffchange-inline">never </ins>to be determined,In these solitude vaults, down, way down....Haunted by <ins class="diffchange diffchange-inline">huge </ins>nightmaresOne lives by these monolith <ins class="diffchange diffchange-inline">un-bridled </ins>spiritsDrossy, <ins class="diffchange diffchange-inline">dreamy</ins>, I say forever, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <ins class="diffchange diffchange-inline">wrote </ins>a <ins class="diffchange diffchange-inline">book </ins>recently, or <ins class="diffchange diffchange-inline">a </ins>year <ins class="diffchange diffchange-inline">ago </ins>or therefore, <ins class="diffchange diffchange-inline">named </ins>'The Macabre Poems,' it <ins class="diffchange diffchange-inline">absolutely was </ins>his 27th book [now he's 31, which his new book <ins class="diffchange diffchange-inline">developing</ins>, 'Peruvian Poems,' next month]; and his 4th book in poetry. And his <ins class="diffchange diffchange-inline">deepest guide </ins>in this <ins class="diffchange diffchange-inline">variety</ins>. Matter-of-fact, <ins class="diffchange diffchange-inline">he </ins>followed the <ins class="diffchange diffchange-inline">trail </ins>of such poets--in <ins class="diffchange diffchange-inline">producing </ins>this book--such poets as: Clark A. <ins class="diffchange diffchange-inline">Smith</ins>, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">desired</ins>, George Sterling; in <ins class="diffchange diffchange-inline">doing so </ins>he <ins class="diffchange diffchange-inline">centered </ins>on the more <ins class="diffchange diffchange-inline">further array </ins>of adjectives for <ins class="diffchange diffchange-inline">explanation</ins>, as he calls it; and made a declaration on the book, and in public <ins class="diffchange diffchange-inline">areas </ins>when the book <ins class="diffchange diffchange-inline">arrived</ins>, saying: 'If you want to know who you are <ins class="diffchange diffchange-inline">working </ins>with, you surely got to <ins class="diffchange diffchange-inline">take </ins>a muster-seed of faith with you to-the <ins class="diffchange diffchange-inline">sets </ins>of hell; playing it safe won't get you home.' Composition, as Dennis says: <ins class="diffchange diffchange-inline">may </ins>be many <ins class="diffchange diffchange-inline">points </ins>to many people, and denying the invisible world is not the way to truth and truth. <ins class="diffchange diffchange-inline">Therefore</ins>, this is a <ins class="diffchange diffchange-inline">poem </ins>that never <ins class="diffchange diffchange-inline">managed to get </ins>into his book.</div></td></tr> <!-- diff cache key 8bwiki:diff:version:1.11a:oldid:85514:newid:92706 --> </table>

DickyWoolley3121 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=85514&oldid=prev 2013-06-09T21:16:51Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年6月9日 (日) 21:16的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a nightmare? <del class="diffchange diffchange-inline">Patterns </del>fold, <del class="diffchange diffchange-inline">with </del>the windGates <del class="diffchange diffchange-inline">lie </del>still: hide around cornersAnd <del class="diffchange diffchange-inline">bad </del>creatures, <del class="diffchange diffchange-inline">scent</del>, dead, they <del class="diffchange diffchange-inline">lay </del>unseen.Here, looks of doom--fill <del class="diffchange diffchange-inline">nameless </del>rooms,Where mystical manuscripts--:Dare, to tell the dead--what lies ahead.There amid many, <del class="diffchange diffchange-inline">odd things </del>I found:Raving of madmen--curses and clowns--Black publications, <del class="diffchange diffchange-inline">rocks</del>, <del class="diffchange diffchange-inline">legends </del>and frowns.Along <del class="diffchange diffchange-inline">side </del>its course, crawls, only shadows--In <del class="diffchange diffchange-inline">ominous </del>shapes: <del class="diffchange diffchange-inline">never </del>to be determined,In these solitude vaults, down, way down....Haunted by <del class="diffchange diffchange-inline">gigantic </del>nightmaresOne lives by these monolith unbridled spiritsDrossy, <del class="diffchange diffchange-inline">peaceful</del>, I say <del class="diffchange diffchange-inline">permanently</del>, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a recently, or <del class="diffchange diffchange-inline">this past </del>year or therefore, called 'The Macabre Poems,' it had been his 27th book [now he <del class="diffchange diffchange-inline">has </del>31, which his new book <del class="diffchange diffchange-inline">developing</del>, 'Peruvian Poems,' next month]; and his 4th book in <del class="diffchange diffchange-inline">composition</del>. And his <del class="diffchange diffchange-inline">greatest </del>book in this <del class="diffchange diffchange-inline">type</del>. Matter-of-fact, <del class="diffchange diffchange-inline">he </del>followed the <del class="diffchange diffchange-inline">trail </del>of such poets--in <del class="diffchange diffchange-inline">producing </del>this book--such poets as: Clark A. <del class="diffchange diffchange-inline">Smith</del>, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">chosen</del>, George Sterling; in <del class="diffchange diffchange-inline">doing so </del>he <del class="diffchange diffchange-inline">centered </del>on the more <del class="diffchange diffchange-inline">greater </del>variety of adjectives for information, as he calls it; and made a <del class="diffchange diffchange-inline">record </del>on the book, and in public <del class="diffchange diffchange-inline">areas </del>when the book <del class="diffchange diffchange-inline">arrived</del>, saying: 'If you want to know who you are dealing with, you surely got to <del class="diffchange diffchange-inline">take </del>a muster-seed of <del class="diffchange diffchange-inline">religion </del>with you to-the <del class="diffchange diffchange-inline">sets </del>of hell; playing it safe <del class="diffchange diffchange-inline">will not </del>get you home <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Bristol safe repairs Bristol]</del>.' <del class="diffchange diffchange-inline">Poetry</del>, as Dennis says: <del class="diffchange diffchange-inline">can </del>be many things to many people, and <del class="diffchange diffchange-inline">questioning </del>the <del class="diffchange diffchange-inline">unseen </del>world <del class="diffchange diffchange-inline">isn't </del>the way to truth and truth. Hence, this <del class="diffchange diffchange-inline">can be </del>a <del class="diffchange diffchange-inline">poetry </del>that never <del class="diffchange diffchange-inline">managed to get </del>into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a nightmare? <ins class="diffchange diffchange-inline">Styles </ins>fold, <ins class="diffchange diffchange-inline">using </ins>the windGates <ins class="diffchange diffchange-inline">rest </ins>still: hide around cornersAnd <ins class="diffchange diffchange-inline">horrible </ins>creatures, <ins class="diffchange diffchange-inline">smell</ins>, dead, they <ins class="diffchange diffchange-inline">put </ins>unseen.Here, looks of doom--fill <ins class="diffchange diffchange-inline">anonymous </ins>rooms,Where mystical manuscripts--:Dare, to tell the dead--what lies ahead <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Bridgend safe engineer Bridgend]</ins>.There amid many, <ins class="diffchange diffchange-inline">strange items </ins>I found:Raving of madmen--curses and clowns--Black publications, <ins class="diffchange diffchange-inline">stones</ins>, <ins class="diffchange diffchange-inline">stories </ins>and frowns.Along <ins class="diffchange diffchange-inline">part </ins>its course, crawls, only shadows--In <ins class="diffchange diffchange-inline">threatening </ins>shapes: <ins class="diffchange diffchange-inline">not </ins>to be determined,In these solitude vaults, down, way down....Haunted by <ins class="diffchange diffchange-inline">massive </ins>nightmaresOne lives by these monolith unbridled spiritsDrossy, <ins class="diffchange diffchange-inline">wonderful</ins>, I say <ins class="diffchange diffchange-inline">forever</ins>, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a recently, or <ins class="diffchange diffchange-inline">last </ins>year or therefore, called 'The Macabre Poems,' it had been his 27th book [now he<ins class="diffchange diffchange-inline">'s </ins>31, which his new book <ins class="diffchange diffchange-inline">being released</ins>, 'Peruvian Poems,' next month]; and his 4th book in <ins class="diffchange diffchange-inline">poetry</ins>. And his <ins class="diffchange diffchange-inline">biggest </ins>book in this <ins class="diffchange diffchange-inline">genre</ins>. Matter-of-fact, <ins class="diffchange diffchange-inline">h-e </ins>followed the <ins class="diffchange diffchange-inline">path </ins>of such poets--in <ins class="diffchange diffchange-inline">making </ins>this book--such poets as: Clark A. <ins class="diffchange diffchange-inline">Johnson</ins>, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">preferred</ins>, George Sterling; in <ins class="diffchange diffchange-inline">this </ins>he <ins class="diffchange diffchange-inline">concentrated </ins>on the more <ins class="diffchange diffchange-inline">deeper </ins>variety of adjectives for information, as he calls it; and made a <ins class="diffchange diffchange-inline">declaration </ins>on the book, and in public <ins class="diffchange diffchange-inline">places </ins>when the book <ins class="diffchange diffchange-inline">came out</ins>, saying: 'If you want to know who you are dealing with, you surely got to <ins class="diffchange diffchange-inline">have </ins>a muster-seed of <ins class="diffchange diffchange-inline">faith </ins>with you to-the <ins class="diffchange diffchange-inline">leaves </ins>of hell; playing it safe <ins class="diffchange diffchange-inline">won't </ins>get you home.' <ins class="diffchange diffchange-inline">Composition</ins>, as Dennis says: <ins class="diffchange diffchange-inline">might </ins>be many things to many people, and <ins class="diffchange diffchange-inline">denying </ins>the <ins class="diffchange diffchange-inline">invisible </ins>world <ins class="diffchange diffchange-inline">is not </ins>the way to truth and truth. Hence, this <ins class="diffchange diffchange-inline">is </ins>a <ins class="diffchange diffchange-inline">composition </ins>that never <ins class="diffchange diffchange-inline">made it </ins>into his book.</div></td></tr> <!-- diff cache key 8bwiki:diff:version:1.11a:oldid:83698:newid:85514 --> </table>

MerrileeOrton2695 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=83698&oldid=prev 2013-06-07T23:52:37Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年6月7日 (五) 23:52的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">pain</del>? <del class="diffchange diffchange-inline">Styles flex</del>, with <del class="diffchange diffchange-inline">all </del>the windGates <del class="diffchange diffchange-inline">rest </del>still: <del class="diffchange diffchange-inline">lurk </del>around cornersAnd <del class="diffchange diffchange-inline">foul </del>creatures, <del class="diffchange diffchange-inline">odor</del>, dead, they <del class="diffchange diffchange-inline">put </del>unseen.Here, <del class="diffchange diffchange-inline">sounds </del>of doom--fill <del class="diffchange diffchange-inline">mysterious </del>rooms,Where mystical manuscripts--:Dare, to tell the dead--what lies ahead.There amid many, odd things I found:Raving of madmen--curses and clowns--Black publications, <del class="diffchange diffchange-inline">stones</del>, <del class="diffchange diffchange-inline">figures </del>and frowns.Along <del class="diffchange diffchange-inline">part </del>its <del class="diffchange diffchange-inline">path</del>, crawls, only shadows--In <del class="diffchange diffchange-inline">threatening </del>shapes: never to be determined,In these solitude vaults, down, way down....Haunted by gigantic nightmaresOne lives by these monolith <del class="diffchange diffchange-inline">un-bridled </del>spiritsDrossy, <del class="diffchange diffchange-inline">wonderful</del>, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a recently, or <del class="diffchange diffchange-inline">a </del>year <del class="diffchange diffchange-inline">ago </del>or therefore, called 'The Macabre Poems,' it had been his 27th book [now he has 31, which his new book <del class="diffchange diffchange-inline">coming out</del>, 'Peruvian Poems,' next month]; and his 4th book in <del class="diffchange diffchange-inline">poetry</del>. And his greatest book in this <del class="diffchange diffchange-inline">style</del>. Matter-of-fact, he followed the <del class="diffchange diffchange-inline">road </del>of such poets--in <del class="diffchange diffchange-inline">creating </del>this book--such poets as: Clark A. Smith, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">desired</del>, George Sterling; in <del class="diffchange diffchange-inline">this </del>he <del class="diffchange diffchange-inline">concentrated </del>on the more greater <del class="diffchange diffchange-inline">selection </del>of adjectives for <del class="diffchange diffchange-inline">explanation</del>, as he calls it; and made a record on the book, and in public areas when the book <del class="diffchange diffchange-inline">came out</del>, saying: 'If you <del class="diffchange diffchange-inline">need </del>to know who you are dealing with, you got to take a muster-seed of <del class="diffchange diffchange-inline">faith </del>with you to the sets of hell; playing it safe will not get you home.' <del class="diffchange diffchange-inline">Composition</del>, as Dennis says: <del class="diffchange diffchange-inline">may </del>be many things to many people, and questioning the unseen world <del class="diffchange diffchange-inline">is not </del>the way to truth and truth <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Port Talbot safe engineer Port Talbot]</del>. <del class="diffchange diffchange-inline">Ergo</del>, this can be a poetry that never managed to get into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">nightmare</ins>? <ins class="diffchange diffchange-inline">Patterns fold</ins>, with the windGates <ins class="diffchange diffchange-inline">lie </ins>still: <ins class="diffchange diffchange-inline">hide </ins>around cornersAnd <ins class="diffchange diffchange-inline">bad </ins>creatures, <ins class="diffchange diffchange-inline">scent</ins>, dead, they <ins class="diffchange diffchange-inline">lay </ins>unseen.Here, <ins class="diffchange diffchange-inline">looks </ins>of doom--fill <ins class="diffchange diffchange-inline">nameless </ins>rooms,Where mystical manuscripts--:Dare, to tell the dead--what lies ahead.There amid many, odd things I found:Raving of madmen--curses and clowns--Black publications, <ins class="diffchange diffchange-inline">rocks</ins>, <ins class="diffchange diffchange-inline">legends </ins>and frowns.Along <ins class="diffchange diffchange-inline">side </ins>its <ins class="diffchange diffchange-inline">course</ins>, crawls, only shadows--In <ins class="diffchange diffchange-inline">ominous </ins>shapes: never to be determined,In these solitude vaults, down, way down....Haunted by gigantic nightmaresOne lives by these monolith <ins class="diffchange diffchange-inline">unbridled </ins>spiritsDrossy, <ins class="diffchange diffchange-inline">peaceful</ins>, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a recently, or <ins class="diffchange diffchange-inline">this past </ins>year or therefore, called 'The Macabre Poems,' it had been his 27th book [now he has 31, which his new book <ins class="diffchange diffchange-inline">developing</ins>, 'Peruvian Poems,' next month]; and his 4th book in <ins class="diffchange diffchange-inline">composition</ins>. And his greatest book in this <ins class="diffchange diffchange-inline">type</ins>. Matter-of-fact, he followed the <ins class="diffchange diffchange-inline">trail </ins>of such poets--in <ins class="diffchange diffchange-inline">producing </ins>this book--such poets as: Clark A. Smith, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">chosen</ins>, George Sterling; in <ins class="diffchange diffchange-inline">doing so </ins>he <ins class="diffchange diffchange-inline">centered </ins>on the more greater <ins class="diffchange diffchange-inline">variety </ins>of adjectives for <ins class="diffchange diffchange-inline">information</ins>, as he calls it; and made a record on the book, and in public areas when the book <ins class="diffchange diffchange-inline">arrived</ins>, saying: 'If you <ins class="diffchange diffchange-inline">want </ins>to know who you are dealing with, you <ins class="diffchange diffchange-inline">surely </ins>got to take a muster-seed of <ins class="diffchange diffchange-inline">religion </ins>with you to<ins class="diffchange diffchange-inline">-</ins>the sets of hell; playing it safe will not get you home <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Bristol safe repairs Bristol]</ins>.' <ins class="diffchange diffchange-inline">Poetry</ins>, as Dennis says: <ins class="diffchange diffchange-inline">can </ins>be many things to many people, and questioning the unseen world <ins class="diffchange diffchange-inline">isn't </ins>the way to truth and truth. <ins class="diffchange diffchange-inline">Hence</ins>, this can be a poetry that never managed to get into his book.</div></td></tr> <!-- diff cache key 8bwiki:diff:version:1.11a:oldid:81990:newid:83698 --> </table>

AlmetaHay1643 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=81990&oldid=prev 2013-06-05T15:25:27Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年6月5日 (三) 15:25的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">nightmare</del>? Styles flex, <del class="diffchange diffchange-inline">together </del>with the windGates rest still: <del class="diffchange diffchange-inline">reside </del>around cornersAnd <del class="diffchange diffchange-inline">horrible beings</del>, odor, dead, they put unseen.Here, <del class="diffchange diffchange-inline">looks </del>of doom--fill <del class="diffchange diffchange-inline">nameless </del>rooms,Where mystical manuscripts--:Dare, to tell the dead--what lies ahead.There amid many, odd things I found:Raving of madmen--curses and clowns--Black <del class="diffchange diffchange-inline">books</del>, <del class="diffchange diffchange-inline">rocks</del>, <del class="diffchange diffchange-inline">stories </del>and frowns.Along part its path, crawls, only shadows--In threatening shapes: <del class="diffchange diffchange-inline">not </del>to be determined,In these solitude vaults, down, <del class="diffchange diffchange-inline">approach </del>down....Haunted by <del class="diffchange diffchange-inline">huge </del>nightmaresOne lives by these monolith <del class="diffchange diffchange-inline">unbridled </del>spiritsDrossy, <del class="diffchange diffchange-inline">dreamy</del>, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <del class="diffchange diffchange-inline">wrote </del>a recently, or <del class="diffchange diffchange-inline">this past </del>year or <del class="diffchange diffchange-inline">so</del>, called <del class="diffchange diffchange-inline">&amp;quot;</del>The Macabre Poems,<del class="diffchange diffchange-inline">&amp;quot; </del>it had been his 27th book [now he has 31, which his new book <del class="diffchange diffchange-inline">being released</del>, <del class="diffchange diffchange-inline">&amp;quot;</del>Peruvian Poems,<del class="diffchange diffchange-inline">&amp;quot; </del>next month]; and his 4th book in poetry. And his <del class="diffchange diffchange-inline">biggest </del>book in this <del class="diffchange diffchange-inline">type</del>. Matter-of-fact, he followed the <del class="diffchange diffchange-inline">path </del>of such poets--in <del class="diffchange diffchange-inline">developing </del>this book--such poets as: Clark A <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Swansea safe moving Swansea]</del>. <del class="diffchange diffchange-inline">Johnson</del>, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">popular</del>, George Sterling; in <del class="diffchange diffchange-inline">doing so </del>he <del class="diffchange diffchange-inline">focused </del>on the more <del class="diffchange diffchange-inline">further collection </del>of adjectives for <del class="diffchange diffchange-inline">description</del>, as he calls it; and made a <del class="diffchange diffchange-inline">statement </del>on the book, and in public when the book <del class="diffchange diffchange-inline">arrived</del>, saying: <del class="diffchange diffchange-inline">&amp;quot;</del>If you <del class="diffchange diffchange-inline">want </del>to know who you are <del class="diffchange diffchange-inline">working </del>with, you got to take a muster-seed of faith with you to the <del class="diffchange diffchange-inline">pits </del>of hell; playing it safe will not get you home.<del class="diffchange diffchange-inline">&amp;quot; </del>Composition, as Dennis says: may be many <del class="diffchange diffchange-inline">points </del>to many people, and questioning the <del class="diffchange diffchange-inline">invisible </del>world is not the <del class="diffchange diffchange-inline">best </del>way to truth and <del class="diffchange diffchange-inline">reality</del>. Ergo, this <del class="diffchange diffchange-inline">is </del>a <del class="diffchange diffchange-inline">poem </del>that never <del class="diffchange diffchange-inline">made it </del>into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">pain</ins>? Styles flex, with <ins class="diffchange diffchange-inline">all </ins>the windGates rest still: <ins class="diffchange diffchange-inline">lurk </ins>around cornersAnd <ins class="diffchange diffchange-inline">foul creatures</ins>, odor, dead, they put unseen.Here, <ins class="diffchange diffchange-inline">sounds </ins>of doom--fill <ins class="diffchange diffchange-inline">mysterious </ins>rooms,Where mystical manuscripts--:Dare, to tell the dead--what lies ahead.There amid many, odd things I found:Raving of madmen--curses and clowns--Black <ins class="diffchange diffchange-inline">publications</ins>, <ins class="diffchange diffchange-inline">stones</ins>, <ins class="diffchange diffchange-inline">figures </ins>and frowns.Along part its path, crawls, only shadows--In threatening shapes: <ins class="diffchange diffchange-inline">never </ins>to be determined,In these solitude vaults, down, <ins class="diffchange diffchange-inline">way </ins>down....Haunted by <ins class="diffchange diffchange-inline">gigantic </ins>nightmaresOne lives by these monolith <ins class="diffchange diffchange-inline">un-bridled </ins>spiritsDrossy, <ins class="diffchange diffchange-inline">wonderful</ins>, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <ins class="diffchange diffchange-inline">published </ins>a recently, or <ins class="diffchange diffchange-inline">a </ins>year <ins class="diffchange diffchange-inline">ago </ins>or <ins class="diffchange diffchange-inline">therefore</ins>, called <ins class="diffchange diffchange-inline">'</ins>The Macabre Poems,<ins class="diffchange diffchange-inline">' </ins>it had been his 27th book [now he has 31, which his new book <ins class="diffchange diffchange-inline">coming out</ins>, <ins class="diffchange diffchange-inline">'</ins>Peruvian Poems,<ins class="diffchange diffchange-inline">' </ins>next month]; and his 4th book in poetry. And his <ins class="diffchange diffchange-inline">greatest </ins>book in this <ins class="diffchange diffchange-inline">style</ins>. Matter-of-fact, he followed the <ins class="diffchange diffchange-inline">road </ins>of such poets--in <ins class="diffchange diffchange-inline">creating </ins>this book--such poets as: Clark A. <ins class="diffchange diffchange-inline">Smith</ins>, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">desired</ins>, George Sterling; in <ins class="diffchange diffchange-inline">this </ins>he <ins class="diffchange diffchange-inline">concentrated </ins>on the more <ins class="diffchange diffchange-inline">greater selection </ins>of adjectives for <ins class="diffchange diffchange-inline">explanation</ins>, as he calls it; and made a <ins class="diffchange diffchange-inline">record </ins>on the book, and in public <ins class="diffchange diffchange-inline">areas </ins>when the book <ins class="diffchange diffchange-inline">came out</ins>, saying: <ins class="diffchange diffchange-inline">'</ins>If you <ins class="diffchange diffchange-inline">need </ins>to know who you are <ins class="diffchange diffchange-inline">dealing </ins>with, you got to take a muster-seed of faith with you to the <ins class="diffchange diffchange-inline">sets </ins>of hell; playing it safe will not get you home.<ins class="diffchange diffchange-inline">' </ins>Composition, as Dennis says: may be many <ins class="diffchange diffchange-inline">things </ins>to many people, and questioning the <ins class="diffchange diffchange-inline">unseen </ins>world is not the way to truth and <ins class="diffchange diffchange-inline">truth [http://safe-cracker.com/safe-vault-engineers-Port Talbot safe engineer Port Talbot]</ins>. Ergo, this <ins class="diffchange diffchange-inline">can be </ins>a <ins class="diffchange diffchange-inline">poetry </ins>that never <ins class="diffchange diffchange-inline">managed to get </ins>into his book.</div></td></tr> </table>

MarilynDelaflote3697 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=78019&oldid=prev 2013-05-31T14:30:47Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年5月31日 (五) 14:30的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">problem</del>? <del class="diffchange diffchange-inline">Designs fold</del>, together with the windGates rest still: <del class="diffchange diffchange-inline">lurk </del>around cornersAnd <del class="diffchange diffchange-inline">bad </del>beings, <del class="diffchange diffchange-inline">scent</del>, dead, they <del class="diffchange diffchange-inline">lay </del>unseen.Here, looks of doom--fill <del class="diffchange diffchange-inline">anonymous </del>rooms,Where <del class="diffchange diffchange-inline">mysterious </del>manuscripts--:Dare, to tell the dead--what lies ahead.There amid many, <del class="diffchange diffchange-inline">strange points </del>I found:Raving of madmen--curses and clowns--Black books, <del class="diffchange diffchange-inline">stones</del>, <del class="diffchange diffchange-inline">figures </del>and frowns.Along part its <del class="diffchange diffchange-inline">route</del>, crawls, only shadows--In threatening shapes: not<del class="diffchange diffchange-inline">-</del>to be determined,In these <del class="diffchange diffchange-inline">isolation </del>vaults, down, <del class="diffchange diffchange-inline">way </del>down....Haunted by <del class="diffchange diffchange-inline">massive </del>nightmaresOne lives by these monolith unbridled spiritsDrossy, dreamy, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <del class="diffchange diffchange-inline">published </del>a recently, or <del class="diffchange diffchange-inline">a </del>year <del class="diffchange diffchange-inline">ago </del>or <del class="diffchange diffchange-inline">therefore</del>, <del class="diffchange diffchange-inline">named </del>&amp;quot;The Macabre Poems,&amp;quot; it <del class="diffchange diffchange-inline">absolutely was </del>his 27th book [now he<del class="diffchange diffchange-inline">'s </del>31, which his new book being released, &amp;quot;Peruvian Poems,&amp;quot; next month]; and his 4th book in <del class="diffchange diffchange-inline">composition</del>. And his <del class="diffchange diffchange-inline">deepest guide </del>in this <del class="diffchange diffchange-inline">variety</del>. Matter-of-fact, he followed the <del class="diffchange diffchange-inline">trail </del>of such poets--in <del class="diffchange diffchange-inline">making </del>this book--such poets as: Clark A. Johnson, Lovecraft, Robert Howard, and of course his popular, George Sterling; in <del class="diffchange diffchange-inline">this </del>he focused on the more <del class="diffchange diffchange-inline">greater assortment </del>of adjectives for description, as he calls it; and made a <del class="diffchange diffchange-inline">record </del>on the book, and in public <del class="diffchange diffchange-inline">areas </del>when the book arrived, saying: &amp;quot;If you want to know who you are <del class="diffchange diffchange-inline">dealing </del>with, you got to <del class="diffchange diffchange-inline">have </del>a muster-seed of <del class="diffchange diffchange-inline">religion </del>with you to the <del class="diffchange diffchange-inline">sets </del>of hell; playing it safe will not get you home <del class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Llanelli safe moving Llanelli]</del>.&amp;quot; Composition, as Dennis says: <del class="diffchange diffchange-inline">could </del>be many points to many people, and <del class="diffchange diffchange-inline">denying </del>the <del class="diffchange diffchange-inline">unseen </del>world <del class="diffchange diffchange-inline">isn't </del>the best way to truth and <del class="diffchange diffchange-inline">fact</del>. <del class="diffchange diffchange-inline">Thus</del>, this <del class="diffchange diffchange-inline">can be </del>a <del class="diffchange diffchange-inline">poetry </del>that never <del class="diffchange diffchange-inline">managed to get </del>into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">nightmare</ins>? <ins class="diffchange diffchange-inline">Styles flex</ins>, together with the windGates rest still: <ins class="diffchange diffchange-inline">reside </ins>around cornersAnd <ins class="diffchange diffchange-inline">horrible </ins>beings, <ins class="diffchange diffchange-inline">odor</ins>, dead, they <ins class="diffchange diffchange-inline">put </ins>unseen.Here, looks of doom--fill <ins class="diffchange diffchange-inline">nameless </ins>rooms,Where <ins class="diffchange diffchange-inline">mystical </ins>manuscripts--:Dare, to tell the dead--what lies ahead.There amid many, <ins class="diffchange diffchange-inline">odd things </ins>I found:Raving of madmen--curses and clowns--Black books, <ins class="diffchange diffchange-inline">rocks</ins>, <ins class="diffchange diffchange-inline">stories </ins>and frowns.Along part its <ins class="diffchange diffchange-inline">path</ins>, crawls, only shadows--In threatening shapes: not to be determined,In these <ins class="diffchange diffchange-inline">solitude </ins>vaults, down, <ins class="diffchange diffchange-inline">approach </ins>down....Haunted by <ins class="diffchange diffchange-inline">huge </ins>nightmaresOne lives by these monolith unbridled spiritsDrossy, dreamy, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk <ins class="diffchange diffchange-inline">wrote </ins>a recently, or <ins class="diffchange diffchange-inline">this past </ins>year or <ins class="diffchange diffchange-inline">so</ins>, <ins class="diffchange diffchange-inline">called </ins>&amp;quot;The Macabre Poems,&amp;quot; it <ins class="diffchange diffchange-inline">had been </ins>his 27th book [now he <ins class="diffchange diffchange-inline">has </ins>31, which his new book being released, &amp;quot;Peruvian Poems,&amp;quot; next month]; and his 4th book in <ins class="diffchange diffchange-inline">poetry</ins>. And his <ins class="diffchange diffchange-inline">biggest book </ins>in this <ins class="diffchange diffchange-inline">type</ins>. Matter-of-fact, he followed the <ins class="diffchange diffchange-inline">path </ins>of such poets--in <ins class="diffchange diffchange-inline">developing </ins>this book--such poets as: Clark A <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Swansea safe moving Swansea]</ins>. Johnson, Lovecraft, Robert Howard, and of course his popular, George Sterling; in <ins class="diffchange diffchange-inline">doing so </ins>he focused on the more <ins class="diffchange diffchange-inline">further collection </ins>of adjectives for description, as he calls it; and made a <ins class="diffchange diffchange-inline">statement </ins>on the book, and in public when the book arrived, saying: &amp;quot;If you want to know who you are <ins class="diffchange diffchange-inline">working </ins>with, you got to <ins class="diffchange diffchange-inline">take </ins>a muster-seed of <ins class="diffchange diffchange-inline">faith </ins>with you to the <ins class="diffchange diffchange-inline">pits </ins>of hell; playing it safe will not get you home.&amp;quot; Composition, as Dennis says: <ins class="diffchange diffchange-inline">may </ins>be many points to many people, and <ins class="diffchange diffchange-inline">questioning </ins>the <ins class="diffchange diffchange-inline">invisible </ins>world <ins class="diffchange diffchange-inline">is not </ins>the best way to truth and <ins class="diffchange diffchange-inline">reality</ins>. <ins class="diffchange diffchange-inline">Ergo</ins>, this <ins class="diffchange diffchange-inline">is </ins>a <ins class="diffchange diffchange-inline">poem </ins>that never <ins class="diffchange diffchange-inline">made it </ins>into his book.</div></td></tr> </table>

MorganVine1151 https://www.8beauty.com/wiki/index.php?title=The_Ghoulish_Containers&diff=69497&oldid=prev 2013-05-22T06:01:27Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='zh'> <td colspan='2' style="background-color: white; color:black; text-align: center;">←上一版本</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">2013年5月22日 (三) 06:01的版本</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >第1行：</td> <td colspan="2" class="diff-lineno">第1行：</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Is this a <del class="diffchange diffchange-inline">nightmare</del>? <del class="diffchange diffchange-inline">Shapes flex</del>, with the windGates rest still: <del class="diffchange diffchange-inline">hide </del>around cornersAnd <del class="diffchange diffchange-inline">nasty </del>beings, <del class="diffchange diffchange-inline">smell</del>, dead, they lay unseen.Here, <del class="diffchange diffchange-inline">sounds </del>of doom--fill anonymous rooms,Where <del class="diffchange diffchange-inline">strange </del>manuscripts--:Dare, to <del class="diffchange diffchange-inline">inform </del>the dead--what lies ahead.There amid many, <del class="diffchange diffchange-inline">odd </del>points I found:Raving of madmen--curses and clowns--Black books, stones, figures and frowns.Along <del class="diffchange diffchange-inline">side </del>its <del class="diffchange diffchange-inline">way</del>, crawls, only shadows--In <del class="diffchange diffchange-inline">ominous </del>shapes: <del class="diffchange diffchange-inline">never </del>to be determined,In these <del class="diffchange diffchange-inline">solitude </del>vaults, down, <del class="diffchange diffchange-inline">approach </del>down....Haunted by <del class="diffchange diffchange-inline">huge </del>nightmaresOne lives by these monolith unbridled spiritsDrossy, <del class="diffchange diffchange-inline">wistful</del>, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a recently, or <del class="diffchange diffchange-inline">last </del>year or <del class="diffchange diffchange-inline">so</del>, named &amp;quot;The Macabre Poems,&amp;quot; it <del class="diffchange diffchange-inline">had been </del>his 27th book [now he <del class="diffchange diffchange-inline">has </del>31, which his new book being released, &amp;quot;Peruvian Poems,&amp;quot; next month]; and his 4th book in <del class="diffchange diffchange-inline">poetry [http://safe-cracker.com/safe-vault-engineers-Bridgend safe repairs Bridgend]</del>. And his <del class="diffchange diffchange-inline">darkest </del>guide in this <del class="diffchange diffchange-inline">genre</del>. Matter-of-fact, he followed the <del class="diffchange diffchange-inline">road </del>of such poets--in <del class="diffchange diffchange-inline">producing </del>this book--such poets as: Clark A. Johnson, Lovecraft, Robert Howard, and of course his <del class="diffchange diffchange-inline">desired</del>, George Sterling; in <del class="diffchange diffchange-inline">doing so </del>he focused on the more <del class="diffchange diffchange-inline">deeper selection </del>of adjectives for <del class="diffchange diffchange-inline">information</del>, as he calls it; and made a <del class="diffchange diffchange-inline">declaration </del>on the book, and in public <del class="diffchange diffchange-inline">places </del>when the book <del class="diffchange diffchange-inline">came out</del>, saying: &amp;quot;If you <del class="diffchange diffchange-inline">need </del>to know who you<del class="diffchange diffchange-inline">'re working </del>with, you got to have a muster-seed of <del class="diffchange diffchange-inline">faith </del>with you to the <del class="diffchange diffchange-inline">pits </del>of hell; playing it safe <del class="diffchange diffchange-inline">won't </del>get you home.&amp;quot; <del class="diffchange diffchange-inline">Poetry</del>, as Dennis says: <del class="diffchange diffchange-inline">may </del>be many <del class="diffchange diffchange-inline">things </del>to many people, and <del class="diffchange diffchange-inline">questioning </del>the unseen world isn't the way to truth and <del class="diffchange diffchange-inline">truth</del>. <del class="diffchange diffchange-inline">Therefore</del>, this <del class="diffchange diffchange-inline">is it </del>that never <del class="diffchange diffchange-inline">was never made by a poem </del>into his book.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Is this a <ins class="diffchange diffchange-inline">problem</ins>? <ins class="diffchange diffchange-inline">Designs fold</ins>, <ins class="diffchange diffchange-inline">together </ins>with the windGates rest still: <ins class="diffchange diffchange-inline">lurk </ins>around cornersAnd <ins class="diffchange diffchange-inline">bad </ins>beings, <ins class="diffchange diffchange-inline">scent</ins>, dead, they lay unseen.Here, <ins class="diffchange diffchange-inline">looks </ins>of doom--fill anonymous rooms,Where <ins class="diffchange diffchange-inline">mysterious </ins>manuscripts--:Dare, to <ins class="diffchange diffchange-inline">tell </ins>the dead--what lies ahead.There amid many, <ins class="diffchange diffchange-inline">strange </ins>points I found:Raving of madmen--curses and clowns--Black books, stones, figures and frowns.Along <ins class="diffchange diffchange-inline">part </ins>its <ins class="diffchange diffchange-inline">route</ins>, crawls, only shadows--In <ins class="diffchange diffchange-inline">threatening </ins>shapes: <ins class="diffchange diffchange-inline">not-</ins>to be determined,In these <ins class="diffchange diffchange-inline">isolation </ins>vaults, down, <ins class="diffchange diffchange-inline">way </ins>down....Haunted by <ins class="diffchange diffchange-inline">massive </ins>nightmaresOne lives by these monolith unbridled spiritsDrossy, <ins class="diffchange diffchange-inline">dreamy</ins>, I say permanently, screaming!...Dlsiluk, 5/16/04 [revised: 9/102005] #821Note by Rosa: Dennis Siluk published a recently, or <ins class="diffchange diffchange-inline">a </ins>year <ins class="diffchange diffchange-inline">ago </ins>or <ins class="diffchange diffchange-inline">therefore</ins>, named &amp;quot;The Macabre Poems,&amp;quot; it <ins class="diffchange diffchange-inline">absolutely was </ins>his 27th book [now he<ins class="diffchange diffchange-inline">'s </ins>31, which his new book being released, &amp;quot;Peruvian Poems,&amp;quot; next month]; and his 4th book in <ins class="diffchange diffchange-inline">composition</ins>. And his <ins class="diffchange diffchange-inline">deepest </ins>guide in this <ins class="diffchange diffchange-inline">variety</ins>. Matter-of-fact, he followed the <ins class="diffchange diffchange-inline">trail </ins>of such poets--in <ins class="diffchange diffchange-inline">making </ins>this book--such poets as: Clark A. Johnson, Lovecraft, Robert Howard, and of course his <ins class="diffchange diffchange-inline">popular</ins>, George Sterling; in <ins class="diffchange diffchange-inline">this </ins>he focused on the more <ins class="diffchange diffchange-inline">greater assortment </ins>of adjectives for <ins class="diffchange diffchange-inline">description</ins>, as he calls it; and made a <ins class="diffchange diffchange-inline">record </ins>on the book, and in public <ins class="diffchange diffchange-inline">areas </ins>when the book <ins class="diffchange diffchange-inline">arrived</ins>, saying: &amp;quot;If you <ins class="diffchange diffchange-inline">want </ins>to know who you <ins class="diffchange diffchange-inline">are dealing </ins>with, you got to have a muster-seed of <ins class="diffchange diffchange-inline">religion </ins>with you to the <ins class="diffchange diffchange-inline">sets </ins>of hell; playing it safe <ins class="diffchange diffchange-inline">will not </ins>get you home <ins class="diffchange diffchange-inline">[http://safe-cracker.com/safe-vault-engineers-Llanelli safe moving Llanelli]</ins>.&amp;quot; <ins class="diffchange diffchange-inline">Composition</ins>, as Dennis says: <ins class="diffchange diffchange-inline">could </ins>be many <ins class="diffchange diffchange-inline">points </ins>to many people, and <ins class="diffchange diffchange-inline">denying </ins>the unseen world isn't the <ins class="diffchange diffchange-inline">best </ins>way to truth and <ins class="diffchange diffchange-inline">fact</ins>. <ins class="diffchange diffchange-inline">Thus</ins>, this <ins class="diffchange diffchange-inline">can be a poetry </ins>that never <ins class="diffchange diffchange-inline">managed to get </ins>into his book.</div></td></tr> </table>

NolandLippencot2844